gryllosblog   Gryllo's (aka Ian Lewis') blog. All things to do with travel, wildlife especially birds, history, architecture and anything else that interests me.

As I explained in the last post our bird guide at Baratphur came with us to Jaipur on 25th November as there was a site nearby where we might encounter the seldom seen Indian Spotted Creeper, but we weren’t in luck. We dropped the guide off at a bus station to get back to Bharatpur and we were taken to our hotel.

The hotels and lodges we had stayed at so far had been really good but the Umaid Mahal hotel was something special …

… with it’s highly decorated corridors …

… and a lovely room.

In the dining room we were entertained by some Indian music and dance.

The following morning we picked up our guide and drove into the centre of Jaipur.

From Wikipedia: Jaipur is the capital and the largest city of the Indian state of Rajasthan. As of 2011, the city had a population of 3.1 million, making it the tenth most populous city in the country. Jaipur is also known as the Pink City, due to the dominant colour scheme of its buildings. It is located 268 km from the national capital New Delhi.

We stopped on a busy road to photograph the Palace of Wind. Unfortunately we couldn’t get further away from the façade to take the photo so the following image shows a bad case of ‘falling over backwards’.

From Wikipedia: Hawa Mahal (English translation: “The Palace of Winds” or “The Palace of Breeze”) is a palace in Jaipur, India approximately 300 kilometres from the capital city of Delhi. Built from red and pink sandstone, the palace sits on the edge of the City Palace, Jaipur, and extends to the Zenana, or women’s chambers. The structure was built in 1799 by Maharaja Sawai Pratap Singh, the grandson of Maharaja Sawai Jai Singh, who was the founder of Jaipur. He was so inspired by the unique structure of Khetri Mahal that he built this grand and historical palace. It was designed by Lal Chand Ustad. Its five floor exterior is akin to honeycomb with its 953 small windows called Jharokhas decorated with intricate latticework. The original intent of the lattice design was to allow royal ladies to observe everyday life and festivals celebrated in the street below without being seen, since they had to obey the strict rules of “purdah”, which forbade them from appearing in public without face coverings. This architectural feature also allowed cool air from the Venturi effect to pass through, thus making the whole area more pleasant during the high temperatures in summer. Many people see the Hawa Mahal from the street view and think it is the front of the palace, but it is the back. In 2006, renovation works on the Mahal were undertaken, after a gap of 50 years, to give a facelift to the monument at an estimated cost of Rs 4.568 million.[6] The corporate sector lent a hand to preserve the historical monuments of Jaipur and the Unit Trust of India has adopted Hawa Mahal to maintain it.[7] The palace is an extended part of a huge complex. The stone-carved screens, small casements, and arched roofs are some of the features of this popular tourist spot. The monument also has delicately modelled hanging cornices.

But our main focus for the day was the huge Amer Fort, which is usually known as the Amber Fort.

We parked and climbed up the access road which gave us views of the modern town and and the ancient walls that enclosed the town and fort. Some of the wall can be seen just to the right of the large cream-coloured buildings in the upper right of the photo.

There was a lot of step climbing involved.

Some views over the town from the fort – here …

… and also here. More of the wall can be seen in the upper right corner.

Some people opt for an elephant ride around the lower part of the fort but we didn’t bother.

It was quite spectacular to watch the procession of elephants coming through the arch. Yet more of the ancient wall is visible through the arch …

… and in this photo. Climbing up further we visited the parts that elephants couldn’t reach.

From Wilipedia: Mughal architecture greatly influenced the architectural style of several buildings of the fort. Constructed of red sandstone and marble, the attractive, opulent palace is laid out on four levels, each with a courtyard. It consists of the Diwan-e-Aam, or “Hall of Public Audience”, the Diwan-e-Khas, or “Hall of Private Audience”, the Sheesh Mahal (mirror palace), or Jai Mandir, and the Sukh Niwas where a cool climate is artificially created by winds that blow over a water cascade within the palace. Hence, the Amer Fort is also popularly known as the Amer Pal-ace. The palace was the residence of the Rajput Maharajas and their families. At the entrance to the palace near the fort’s Ganesh Gate, there is a temple dedicated to Shila Devi, a goddess of the Chaitanya cult, which was given to Raja Man Singh when he defeated the Raja of Jessore, Bengal in 1604.

Incredibly fine ‘filigree’ stone work was employed to produce these screens, to allow maximum ventilation whilst providing the women of the court (who were not allowed to mix with outsiders) the opportunity of watching proceedings in the plaza below.

It was hard to take in or remember the function of each of the architectural marvels that we encountered …

… so may of the wonderful buildings will have to remain undescribed.

Today was a day for enjoying ancient architecture and Mogul art rather than birding, but I did have my bins with me. A large raptor that I never got to identify and some distant ducks on the lake below was about all I recorded.

More from Wikipedia: Amer Fort is a fort located in Amer, Rajasthan, India. Amer is a town with an area of 4 square kilometres located 11 kilometres from Jaipur, the capital of Rajasthan. Located high on a hill, it is the principal tourist attraction in Jaipur. The town of Amer was originally built by Meenas, and later it was ruled by Raja Man Singh I. Amer Fort is known for its artistic style elements. With its large ramparts and series of gates and cobbled paths, the fort overlooks Maota Lake, which is the main source of water for the Amer Palace.

Even the cleaning staff wear beautiful uniforms!

Within the palace were wonderful floral frescos …

… and pretty gardens.

Much of the decoration consisted of intricate patterns on the walls and ceilings. This ceiling has a series of small mirrors set in it …

… evidenced by the fact that in the mirror just left of centre, you can see part of my arm and camera!

I was going to include a Mogul painting of a naked man and woman painted above an entrance arch but it was so explicit that looked like an image from the Kama Sutra. However I decided that I didn’t want to get in trouble with the ‘cyber police’ and thought it wise to omit it.

On the way back into Jaipur we stopped briefly at the Water Palace or Jal Mahal. From Wikipedia (again): The Jal Mahal palace is an architectural showcase of the Rajput style of architecture (common in Rajasthan) on a grand scale. The building has a picturesque view of the lake itself but owing to its seclusion from land is equally the focus of a viewpoint from the Man Sagar Dam on the eastern side of the lake in front of the backdrop of the surrounding Nahargarh (“tiger-abode”) hills. The palace, built in red sandstone, is a five-storied building, of which four floors remain underwater when the lake is full and the top floor is exposed. One rectangular Chhatri on the roof is of the Bengal type. The chhatris on the four corners are octagonal. The palace had suffered subsidence in the past and also partial seepage (plasterwork and wall damage equivalent to rising damp) because of waterlogging, which have been repaired under a restoration project of the Government of Rajasthan.

We carried on to Jantar Mantar …

… a sort of astronomical observatory built by the Rajput King Sawai Jai Singh II in 1734.

Most of the instruments are designed to tell the time of day from the angle of the sun …

… and considerable effort was made to take account of the sun’s position at various times of the year. With a correction factor for the deviation of Jaipur from the meridian of India’s time zone applied, the result was accurate to a minute or two.

Not content with that Sawai Jai Singh II had a truly stupendous sundial built 27 m tall …

At this scale the sun’s shadow moves along the dial at 1mm per second. These are just two of nineteen instruments in the complex all built on the orders of this most scientifically minded king. As always Wikipedia is my source of information: The observatory consists of nineteen instruments for measuring time, predicting eclipses, tracking location of major stars as the earth orbits around the sun, ascertaining the declinations of planets, and determining the celestial altitudes and related ephemerides. The instruments are (alphabetical) 1. Chakra Yantra (four semicircular arcs on which a gnomon casts a shadow, thereby giving the declination of the Sun at four specified times of the day. This data corresponds to noon at four observatories around the world (Greenwich in UK, Zurich in Switzerland, Notke in Japan and Saitchen in the Pacific); this is equivalent of a wall of clocks registering local times in different parts of the world.) 2. Dakshin Bhitti Yantra (measures meridian, altitude and zenith distances of celestial bodies) 3. Digamsha Yantra (a pillar in the middle of two concentric outer circles, used to measure azimuth of the sun and to calculate the time of sunrise and sunset forecasts) 4. Disha Yantra 5. Dhruva Darshak Pattika (observe and find the location of pole star with respect to other celestial bodies) 6. Jai Prakash Yantra (two hemispherical bowl-based sundials with marked marble slabs that map inverted images of sky and allow the observer to move inside the instrument; measures altitudes, azimuths, hour angles, and declinations) 7. Kapali Yantra (measures coordinates of celestial bodies in azimuth and equatorial systems; any point in sky can be visually transformed from one coordinate system to another) 8. Kanali Yantra 9. Kranti Vritta Yantra (measures longitude and latitude of celestial bodies) 10. Laghu Samrat Yantra (the smaller sundial at the monument, inclined at 27 degrees, to measure time, albeit less accurately than Vrihat Samrat Yantra) 11. Misra Yantra (meaning mixed instrument, it is a compilation of five different instruments) 12. Nadi Valaya Yantra (two sundials on different faces of the instrument, the two faces representing north and south hemispheres; measuring the time to an accuracy of less than a minute) 13. Palbha Yantra 14. Rama Yantra (an upright building used to find the altitude and the azimuth of the sun) 15. Rashi Valaya Yantra (12 gnomon dials that measure ecliptic coordinates of stars, planets and all 12 constellation systems) 16. Shastansh Yantra (next to Vrihat Samrat Yantra) This instrument has a 60-degree arc built in the meridian plane within a dark chamber. At noon, the sun’s pinhole image falls on a scale below enabling the observer to measure the zenith distance, declination, and the diameter of the Sun.) 17. Unnatamsa Yantra (a metal ring divided into four segments by horizontal and vertical lines, with a hole in the middle; the position and orientation of the instrument allows measurement of the altitude of celestial bodies) 18. Vrihat Samrat Yantra (world’s largest gnomon sundial, measures time in intervals of 2 seconds using shadow cast from the sunlight) 19. Yantra Raj Yantra (a 2.43-metre bronze astrolabe, one of the largest in the world, used only once a year, calculates the Hindu calendar) The Vrihat Samrat Yantra, which means the “great king of instruments”, is 88 feet (27 m) high; its shadow tells the time of day. Its face is angled at 27 degrees, the latitude of Jaipur. The Hindu chhatri (small cupola) on top is used as a platform for announcing eclipses and the arrival of monsoons. Jai Prakash Yantra at Jantar Mantar, Jaipur The instruments are in most cases huge structures. The scale to which they have been built has been alleged to increase their accuracy. However, the penumbra of the sun can be as wide as 30 mm, making the 1mm increments of the Samrat Yantra sundial devoid of any practical significance. Additionally, the masons constructing the instruments had insufficient experience with construction of this scale, and subsidence of the foundations has subsequently misaligned them. The samrat yantra, for instance, which is a sundial, can be used to tell the time to an accuracy of about two seconds in Jaipur local time.[13] The Giant Sundial, known as the Samrat Yantra (The Supreme Instrument) is one of the world’s largest sundials, standing 27 metres tall.[14] Its shadow moves visibly at 1 mm per second, or roughly a hand’s breadth (6 cm) every minute, which can be a profound experience to watch.

We continued with an obligatory visit to carpet makers, but we convinced our guide we didn’t want to stop long (unlike our experiences in Turkey and UAE).

The final stop on our guided tour was the City Palace within the city of Jaipur.

And yet more from Wikipedia:The City Palace, Jaipur was established at the same time as the city of Jaipur, by Maharaja Sawai Jai Singh II, who moved his court to Jaipur from Amber, in 1727. Jaipur is the present-day capital of the state of Rajasthan, and until 1949 the City Palace was the ceremonial and administrative seat of the Maharaja of Jaipur. The Palace was also the location of religious and cultural events, as well as a patron of arts, commerce, and industry. It now houses the Mahara-ja Sawai Man Singh II Museum, and continues to be the home of the Jaipur royal family. The royal family of Jaipur is said to be the descendants of Lord Rama. The palace complex has several buildings, various courtyards, galleries, restaurants, and offices of the Museum Trust. The Maharaja Sawai Man Singh II Museum Trust looks after the Museum, and the royal cenotaphs (known as chhatris).

Once more we saw some exquisite architecture …

… and beautiful buildings.

Of particular note was a quadrangle with four large ornate doors representing the four seasons.

… here are close ups of the arches above the other three doors, although which one represents which season …

…. is rather hard to tell …

… but that doesn’t detract from their beauty.

A few more images of the City Palace …

… Margaret posed for a photo with these guards …

… before we left to find our vehicle.

Our guide departed and we spent the last hour of the day looking around some shops …

… away from the tourist areas.

Unlike similar places in other parts of Asia or north Africa there was no hassle …

… and you could take your time wandering around. We were able to buy a few Christmas gifts for the family.

The food markets were most colourful …

… and Margaret stocked up on a few goodies for the journey tomorrow.

So it was back to our lovely hotel …

… where that evening the dancers played the ‘how many pots can I balance on my head’ game. Later the two dancers got people at tables to get up and dance with them. Margaret of course joined in, I have some video of the event but unfortunately no still photos.