This is the 7th post about our wonderful trip to northern India in November 2019. The custom tour was arranged by Jo Thomas of Wild About Travel, who arranged an itinerary, accommodation, transport and guides to our specification, which combined wildlife viewing and cultural highlights.
This post covers our half-day visit to the city of Jodhpur and a visit to some nearby villages belonging to the Bishnoi people.

After visiting Mumbar gardens (see post 6) we entered the city of Jodhpur and stopped at the Clock Tower where there was an extensive market …

… selling a wonderful variety of fruit, vegetables, clothing etc. We were able to buy some spices and masala tea, far better souvenirs than the usual tourist junk.

The whole area is overshadowed by the Mehrangarh or Mehran Fort. which dominates the skyline.

Later we were taken to our hotel, the lovely Rattan Villas near the city centre.

No dancers this time, but a musician playing traditional instruments made up for that.

The next morning we drove with a guide to Jaswant Thada, a marble mausoleum overlooking the city. Note the ancient city walls running along the skyline.

An adjacent lake got me my first Ferruginous Ducks for the trip, but the main focus was the beautiful architecture of the mauseleum.

Unfortunately the usual mist and pollution haze hung over the city, but even so the view was spectacular.

Regular readers of this blog will know I’m no fan of the selfie craze, but even so I found this sign quite amusing.

From Wikipedia: The Jaswant Thada is a cenotaph located in Jodhpur, in the Indian state of Rajasthan. It was built by Maharaja Sardar Singh of Jodhpur State in 1899 in memory of his father, Mahara-ja Jaswant Singh II, and serves as the cremation ground for the royal family of Marwar.

The mausoleum is built out of intricately carved sheets of marble. These sheets are extremely thin and polished so that they emit a warm glow when illuminated by the Sun.

The cenotaph of Maharaja Jaswant Singh displays portraits of the rulers and Maharajas of Jodhpur.

The cenotaph’s grounds feature carved gazebos, a tiered garden, and a small lake. There are three other cenotaphs in the grounds.

The view from the mausoleum’s gardens were once again dominated by the Mehrangarh Fort, which was to be our next destination.

From Wikipedia says about the Mehrangarh Fort,: There are seven gates, which include Jayapol (meaning ‘victory gate’), built by Maharaja Man Singh to commemorate his victories over Jaipur and Bikaner armies. There is also a Fattehpol (also meaning ‘victory gate’), which commemorates Maharaja Ajit Singhji victory over Mughals.

The fort is truly enormous, said to be one of the largest in India.

If Jaipur is known as the pink city then Jodhpur is the blue city.

From Wikipedia (again): Jodhpur is the second-largest city in the Indian state of Rajasthan and officially the second metropolitan city of the state with a population surpassing 1.5 million. It was formerly the seat of the princely state of Jodhpur State. Jodhpur was historically the capital of the Kingdom of Marwar, which is now part of Rajasthan. Jodhpur is a popular tourist destination, featuring many palaces, forts, and temples, set in the stark landscape of the Thar Desert. It is popularly known as the “Blue City” among people of Rajasthan and all over India. It serves as the administrative headquarters of the Jodhpur district and Jodhpur division.

The old city circles the Mehrangarh Fort and is bounded by a wall with several gates. The city has expanded greatly outside the wall, though, over the past several decades

This bronze model shows the size and scale of the gigantic fort.

These next three photos …

shown the scale and extent of the wonderful architecture …

… and the incredibly intricate stonework seen here …

… and here.

The museum in the Mehrangarh fort is one of the most well-stocked museums in Rajasthan. In one section of the fort museum, there is a selection of old royal palanquins, including the elaborate domed gilt Mahadol palanquin which was won in a battle from the Governor of Gujarat in 1730.

The museum exhibits the heritage of former times …

… in shrines, costumes …

… paintings and decorated tapestries.

A few more photos of the fabulous interior …

… it was so gob-smackingly beautiful …

… that I failed to take in all the details that our guide was providing.

Eventually we emerged outside for another view over the city.

You get the feeling that this passage way was designed for a smaller person!

More of the delicate stonework that allows the breeze to enter but allows the women of the court to view the plazas below without being seen themselves.

This time a view complete with Rock Pigeons. The question of what is a truly wild Rock Pigeon and what is a domesticated feral pigeon is a vexed one. Certainly those in European cities and any in the New World are feral but these here on the forts of India showed every characteristic of being wild; no enlarged cere, no variation in plumage and pale grey not white rumps.

More views of the city walls …

… more highly decorated corridors …

… and yet more intricate stone work.

Later on we returned to Jodhpur and after some lunch we headed into the countryside to visit the villages of the Bishnoi people.

After lunch the guide and our driver Mehaz took us to some villages of the Bishnoi people. Apparently Bishnoi means 29 in the local dialect which comes from the 29 commandments given to members of the Bishnoi sect by Guru Jambheshwar (1451-1536). As well as religious instructions and social rules the commandments list a number of environmental considerations and instructions for sustainable living. If only Moses had thought to bring another 19 commandments with him when he descended from Mount Sinai then the world would be a very different place today! Like so many of these village tours it was really just an opportunity to sell artefacts to tourists, but the villagers seemed so much more deserving than their city counterparts (and prices were much lower).

In this rather scruffy yard we were shown how the villages make and fire the large earthenware pots and we bought a ‘terracotta sun face’ to put on our garden fence …

… whilst elsewhere and an old man with a gammy leg offered us some opium – which we politely declined.

Although we usually hate being taken to ‘carpet outlets’ when on a tour we rather stumbled on this one and as he didn’t give us the hard sell, we bought a small rug off him.

Our visit to a group of nomadic ‘snake charmers’ was more impromptu but we were welcomed in once they realised that the guide came from the same village as they did.

… although a small child ran away screaming in terror when he saw our white faces (he calmed down later for this photo).

These are the cow-turd piles that the villages construct as the fuel store for cooking and heating.

The Bishnoi believe in protecting nature and we were taken to a lake where they feed the Demoiselle Cranes that come from Central Asia for the winter. The birds were rather distant for photos so I’ve included a shot from the similar, but much larger feeding station at Bikiner some distance to the west, where the cranes can be found in their tens of thousands.

We returned to the hotel that evening but the following day was worst of the trip. The flight to Delhi was in the early afternoon which would have given us time to do some sightseeing on arrival, so in the morning we had a bit of a lie in followed by another visit to the Clock Tower markets (where once again Margaret would be asked to pose for a selfie with the locals). Then we headed to the airport in the late morning and said our goodbyes to the very capable driver Mehaz. Before we left he reminded us of the three requirements for driving in India – a good horn, good brakes and good luck! Once through security we found there was a major delay with the flight and we spent six or more hours in a tiny departure lounge that was hot, crowded and very noisy due to a loud security scanner and lots of babies. We finally arrived at our hotel in Delhi late in the evening where decided to skip dinner and get straight to bed. It was the only hiccup of the trip and completely outside the organiser’s control.

I’ll conclude with a photo of the wonderful Jaswant Thada taken with on a telephoto setting from the fort of Mehrangarh.
The eighth and final post will deal with our time at the wildlife reserve of Sultanpur Jheel near Delhi and some of the monuments within the city itself.
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